Airs Friday, January 2, 2015 at 10 p.m. A 40th anniversary celebration and exploration of "Blood on the Tracks," the Bob Dylan album voted his best in a Rolling Stone magazine fan survey. Music writers, musicians, and fans offer comments about Dylan's 1975 release and host Paul Ingles talks with several of the studio musicians who worked with Dylan to re-record half of the album in the last days of 1974 in Minneapolis, Minnesota.
I was taking a photograph of a city worker installing new banners along the light poles downtown the other day and humming along to a Bee Gees song as the music wafted through the square. It was coming from the Titus County courthouse, from the speakers installed along the roof. The sky was a brilliant shade of blue after the storm passed through, and it finally felt like autumn. I really wanted to just sit down on a bench, listen to the music and enjoy the cool air, but work beckoned.
Aired Thursday, August 21 at 12 noon. Bill Beckett spoke with Master Sargent Hughey Hancock the United States Air Force Band of the West's Brass In Blue Tour which begins Sunday, August 24 at 3 p.m. at C.E. Byrd High School with performance scheduled throughout the Red River Radio listening area. For more information about the Band of the West visit them online at Band Of The West. See their full schedule below.
Airs Friday, February 14 at 11 p.m. Langston Hughes, an enduring icon of the Harlem Renaissance, is best-known for his written work, which wedded his fierce dedication to social justice with his belief in the transformative power of the word. But he was a music lover, too, and some of the works he was most proud of were collaborations with composers and musicians. Hosted by Terrance McKnight, WQXR host and former Morehouse professor of music, I, Too, Sing America will dive into the songs, cantatas, musicals and librettos that flowed from Hughes’ pen. As he did with his poetry, Hughes used music to denounce war, combat segregation and restore human dignity in the face of Jim Crow. His musical adventures included writing lyrics for stage pieces such as Black Nativity and Tambourines to Glory, works that helped give birth to the genre of Gospel Play, as well as songs for radio plays and political campaigns, and the libretto for Kurt Weill’s Street Songs.