Commentary

Viewpoints

https://en.wikipedia.org/wiki/Atlantis#/media/File:Athanasius_Kircher%27s_Atlantis.gif
Athanasius Kircher (1602–1680) / This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less.

Airs Thursday, November 10, at 7:45 a.m. Commentator Dr. Cheryl White takes back in time to the mysterious lost city of Atlantis.

https://commons.wikimedia.org/wiki/File:Samuel_Nicholas.png
USMC / This image or file is in the public domain because it contains materials that originally came from the United States Marine Corps.

Airs Tuesday, November 8, at 7:45 a.m. Commentator Gary Joiner celebrates the Birthday of the "Marine Corps" this week.

History Matters is made possible in part by the Louisiana Endowment for the Humanities and Louisiana Cultural Vistas Magazine. 

Gary Borders / Gary Borders

Airs Friday, November 4, at 7:45 p.m. This week commentator Gary Borders exclaims that Robocallers are pursuing me!

https://commons.wikimedia.org/wiki/File:Vlad_Tepes_002.jpg
Anonymous - 16th century / This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less.

   Airs Thursday, October 27, at 7:45 a.m. Commentator Dr. Cheryl White takes us to Wallachia and the tale of Vlad Tepes, AKA 'Vlad the Impaler', Prince of Wallachia.    

https://commons.wikimedia.org/wiki/File:Ellis_island_1902.jpg
US-LibraryOfCongress-BookLogo.svg This image is available from the United States Library of Congress's Prints and Photographs division under the digital ID cph.3a14957. / This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1923.

Airs Tuesday, November 1, at 7:45 a.m. Commentator Gary Joiner looks at our "Nation Of Immigrants" and how our immigrant histories matter.

  History Matters is made possible in part by the Louisiana Endowment for the Humanities and Louisiana Cultural Vistas Magazine.  

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