Airs Monday, August 19 at 11 a.m. The San Francisco Symphony joins the Red River Radio broadcast schedule with 26 concerts from one of America's most superb orchestra's. On this first program, music director Michael Tilson Thomas will be joined by renowned cellist Yo-Yo Ma for Hindemith's Cello Concerto. Maestro Thomas will also lead the orchestra in Beethoven's Leonore Overture No.3 Op. 72a; the Brahms Symphony No.1 in C Minor, Op. 68; and Liszt's Lamento e Trionfo from Tasso.
Airs Monday, August 5 at 11 a.m. This week on the Pittsburgh Symphony maestro Manfred Honeck will be joined on stage by violinist Joshua Bell for a performance of the Violin Concerto by Johannes Brahms. Mr. Honeck will also lead the orchestra in three works by Richard Strauss, his tone poem Don Juan, Death and Transfiguration, and Till Eulenspiegel’s Merry Pranks.
Airs Monday, April 29 at 11 a.m. This week conductor Manfred Honeck is joined on stage by baritone Thomas Hampson and soprano Chen Reiss for Antonin Dvorak’s Biblical Songs and Johannes Brahms’ A German Requiem.
Airs Monday, April 8 at 11 a.m. This week's Pittsburgh Symphony concert features Christoph Koning who makes his Heinz Hall debut with the Prokofiev Symphony No. 1 and the Brahms Second Symphony . Pianist Gabriela Montero, who trained at the Royal Academy of Music and is known for her incredible improvisations, returns to Heinz Hall to perform Prokofiev’s Piano Concerto No. 3.
Airs Saturday, September 29 at 2:00 p.m. Join us for a new season of concerts from the Santa Fe Chamber Music Festival, celebrating its 40th season as one of the world’s leading performing arts festivals. Artistic director Marc Neikrug and broadcast host Kerry Frumkin will take you through 13 weeks of world class chamber performances. This week's concert features Shanghai Quartet in Penderecki's String Quartet No. 3, (Leaves from an Unwritten Diary) and then soloists William Preucil and Benny Kim, violins; Michael Tree and Steven Tenenbom, violas; Eric Kim, cello play the Brahms' String Quintet No. 2 in G Major, Op. 111.