LYDEN: It's the last week of the NFL season and a handful of teams are still trying to edge their way into the playoffs. The NBA season is just wrapping up its first week, but already the Miami Heat look to be steamrolling it past straight to those playoffs. And there's a playoff-worthy college basketball game today in Lexington, Kentucky. Howard Bryant of ESPN.com and ESPN the magazine joins us now. Howard, welcome and Happy New Year.
Now, to Howard's point with the stories out of Penn State and Syracuse this year, it's almost hard to remember when a scandal in college sports referred to grade fixing or dishonest boosters. But some say that what should be considered a scandal is the billions of dollars generated by college football and men's basketball with hardly any of that revenue actually going to the players.
Tonight, New York's Metropolitan Opera will premiere a new piece with music that's hundreds of years old. It's called "The Enchanted Island" and it features arias by several Baroque composers, including Handel and Vivaldi, and mashes up the plots from two Shakespeare plays. And, oh yes, it stars Placido Domingo as the sea god Neptune. Jeff Lunden has still more.
Uneasy lies the head that wears the crown — perhaps that's why the queen often appears in such an impressive array of hats. Throughout history, the hat has signified a variety of things, from a crown to a team baseball cap.
A dazzling traveling exhibition celebrates centuries of hats. Hats: An Anthology by Stephen Jones began at the Victoria and Albert Museum in London in 2009 and is now at the Bard Graduate Center in New York City through April 2012.
You've probably seen the paintings — women, often nude, always glamorous, the epitome of Jazz Age elegance in Paris in the 1920s, done with a particular cubist, finished fashion. The art deco painter is Tamara de Lempicka, and she's the subject of a new novel by Ellis Avery.
The Last Nude imagines a hidden affair behind one of de Lempicka's most critically acclaimed works. The novel explores the relationship between the painter and Rafaela, the model featured in several of de Lempicka's works from 1920s Paris.