Originally published on Sat September 8, 2012 8:39 pm
Cuban ballet dancer Carlos Acosta has a bold plan to transform a long-abandoned, incompletely built ballet school in Havana into a global cultural and dance center. But some fear the plan is a step toward "privatization."
A radical proposal to restore one of Cuba's most important architectural landmarks is rekindling a 50-year-old controversy. At the center is ballet superstar Carlos Acosta, who left the island and went on to a lead role in London's Royal Ballet. Acosta wants to return to the island and restore an abandoned ballet school with help from one of the world's most famous architects.
But the proposal has opened old wounds from the school's past and stirred a debate about the future of Cuba's state-sponsored cultural model.
Stephen Tobolowsky calls his book, The Dangerous Animals Club, a group of "pieces." They are partly essays, partly short stories, partly memoir. They are anecdotes, stories and insights that are shuffled in and out of order, like cards in a deck.
The members of Sauti Sol rehearse in a cramped recording studio above a chapati restaurant off a noisy highway in Nairobi. Bien-Aime Baraza, Delvin Mudigi and Willis Chimano — the founding members, all 25 — have been friends since they sang together as part of a gospel ensemble in high school. When they graduated in 2005, they didn't want to stop singing, so they formed Sauti Sol. Sauti is Swahili for voice, while sol is Spanish for sun. "Voices of light."
SIMON: The 2012 tennis season is in the home stretch - or is it the last set? What do we call it? The U.S. Open in New York, and it's been eventful. We'll also hit the gridiron in a moment. First, Howard Bryant of ESPN.com and ESPN the Magazine joins us now from New York. Howard, good morning.
This is WEEKEND EDITION from NPR News. I'm Scott Simon. Every year at this time, many of the world's central bankers gather in Jackson Hole, Wyoming for an annual economic policy symposium, within sight of snow-capped mountain peaks. The economy continues to be weak in much of the world. A select group of journalists is allowed to attend - and Robin Harding, the U.S. Economics Editor of the Financial Times, is one of those journalists.
He joins us from Jackson Hole. Mr. Harding, thank you for being with us.