Originally published on Sat September 8, 2012 8:39 pm
Cuban ballet dancer Carlos Acosta has a bold plan to transform a long-abandoned, incompletely built ballet school in Havana into a global cultural and dance center. But some fear the plan is a step toward "privatization."
A radical proposal to restore one of Cuba's most important architectural landmarks is rekindling a 50-year-old controversy. At the center is ballet superstar Carlos Acosta, who left the island and went on to a lead role in London's Royal Ballet. Acosta wants to return to the island and restore an abandoned ballet school with help from one of the world's most famous architects.
But the proposal has opened old wounds from the school's past and stirred a debate about the future of Cuba's state-sponsored cultural model.
Stephen Tobolowsky calls his book, The Dangerous Animals Club, a group of "pieces." They are partly essays, partly short stories, partly memoir. They are anecdotes, stories and insights that are shuffled in and out of order, like cards in a deck.
The members of Sauti Sol rehearse in a cramped recording studio above a chapati restaurant off a noisy highway in Nairobi. Bien-Aime Baraza, Delvin Mudigi and Willis Chimano — the founding members, all 25 — have been friends since they sang together as part of a gospel ensemble in high school. When they graduated in 2005, they didn't want to stop singing, so they formed Sauti Sol. Sauti is Swahili for voice, while sol is Spanish for sun. "Voices of light."
This is WEEKEND EDITION from NPR News. I'm Scott Simon.
Baseball is still called the national pastime, and poets still compose paeans to its subtlety and gentle pace. But in the 1970s, pro football began to become America's defining game, and it was about as subtle as a kick in the head. As Kevin Cook suggests in his new book, the '70s - the days of Mean Joe, "Mad Dog" John Madden, buttoned-up Tom Landry and Howard Cosell - the days when football was raw and unfiltered.