Airs Thursday, June 19 at 8 p.m. Jerry Douglas has received thirteen Grammy Awards, won the Country Music Association's "Musician of the Year" award three times, been awarded a National Heritage Fellowship by the National Endowment for the Arts, and was honored with a Lifetime Achievement Award in 2011 by the Americana Music Association. He is the most famous and arguably the finest resonator guitarist in our time. During the 2013 Savannah Music Festival, Jerry Douglas performed with his band and solo, and taught student musicians during our Acoustic Music Seminar.
Airs Thursday, June 12 at 8 p.m. The many songs that came from the Broadway theatre, Hollywood movies, and Tin Pan Alley have always been a vital part of the repertoire of jazz musicians, who turned many of them into jazz standards. In this episode, we listen to more swingin' standards performed by Bucky Pizzarelli, Howard Alden, Wycliffe Gordon, and the Marcus Roberts trio, among others in this 2007 SMF recording.
Airs Monday, June 9 at 8 p.m. A 20-something singing pianist of the New Orleans virtuoso tradition, Jonathan Batiste has a natural entertainer's charisma and chops to match. He now lives in New York — he met his band in school at Juilliard — and can do "modern jazz" with a metropolitan attitude. But Stay Human is named for its dedication to live music magic, which results in second-line-style parades in the subways and through the Lower East Side. It's perfect for Newport's festive ssetting — and yes, there's a tuba.
Airs Monday, June 9 at 11 a.m. On this week's broadcast concert by the Pittsburgh Symphony Orchestra maestra Lorin Maazel will lead the orchestra in the Symphony No. 7 by Antonin Dvorak and the Cello Concerto No. 2 by Dmitri Shostakovich with Enrico Dindo as the soloist. Mr. Dindo will also perform the Allemande from Johann Sebastian Bach’s Cello Suite No. 6 in D Major (BWV 1012) and the Sarabande from Johann Sebastian Bach’s Cello Suite No. 1 in G Major (BWV 1007).
Airs Monday, June 2 at 8 p.m. One gets the sense that the pianist feels completely at ease with his Experiment quartet, running his right hand in circles, cracking jokes and switching directions on the fly. Along the way, he's cracked the mold of how jazz might approach the hip-hop and R&B of today.