Airs Thursday, July 24 at 11 a.m. The National Youth Orchestra of the United States of America is a phenomenal new group made up of 120 of the brightest young instrumentalists in our country. After a two-week residency of intensive rehearsals, they hit the road coast-to-coast this summer. Our program finds them in Carnegie Hall, led by the dynamic conductor David Robertson.
Airs Monday, July 14 at 11 a.m. On this week's broadcast concert from the Pittsburgh Symphony, music director Manfred Honeck returns to lead the orchestra in Modest Mussorgsky’s Night on Bald Mountain and Beethoven’s Symphony No. 7. In between, pianist Denis Matsuev will take the stage for Rachmaninoff’s Piano Concerto No. 2 and he'll also perform Improvisation of Billy Strayhorn and Duke Ellington’s “Take the A Train.”
Air Tuesday, August 13 at 11 a.m. The concert, which took place on May 2, 2013, marked the opening of one of the largest and most acclaimed performing arts centers in the world. The program features Valery Gergiev conducting the Mariinsky Orchestra and a host of renowned vocalists and instrumentalists including Anna Netrebco, Plácido Domingo, René Pape, Denis Matsuev, Leonidas Kavakos, the Mariinsky Children’s Chorus and many others and also features exclusive interviews gathered by producers with Gergiev and other key figures behind the creation of this celebrated new theater.
Airs Monday, February 11 at 11 a.m. Manfred Honeck leads the Pittsburgh Symphony Orchestra in this opening concert which begins with John Stafford Smith’s arrangement of “The Star Spangled Banner,” followed by Steven Stucky’s “Dreamwaltzes. Then pianist Rudolf Buchbinder takes the stage for Gershwin’s Piano Concerto in F and the concert concludes with Modest Mussorgsky’s Pictures at an Exhibition. Jim Cunningham is your host, for the Pittsburgh Symphony Orchestra Broadcasts.
Airs, Saturday, May 26 at 12:00 noon. “I have won power…but there is no happiness in my tortured soul.” - Boris It’s one of the most searing lyric dramas of all time, featuring arguably the greatest bass role ever created. The magnificent Ferruccio Furlanetto is Boris, who’s haunted by the specter of the child he murdered to become Czar, surrounded by whispers and enemies, and threatened by a pretender to his throne. And not only that — his people are starving. The score radiates all the grief and grandeur that was Czarist Russia, with thrilling music for the huge chorus. But this masterwork is extraordinary in its intimacy, too — revealing Boris as both the public and the private man, as it peels open the psyche of a tormented ruler who succumbs to his own guilty conscience. In a stunning fusion of singing and acting, Ferruccio Furlanetto simply is Boris. “Whether in private demonstrations of power, private fragility, or final collapse, he is the intense center of a monumental tragedy.” Der Standard, Vienna. Lyric favorites Andrea Silvestrelli and Raymond Aceto, two resplendent voices, join Mr. Furlanetto in this opera that boasts not just one but three great bass roles. The celebrated Czech tenor Štefan Margita is Shuisky, the Czar’s duplicitous advisor.