Airs Thursday, Thursday, November 21 at 8 p.m. At the turn of the 20th century when the mandolin became popular in America, a man named Orville Gibson changed its shape and marketability. What had primarily been a fad instrument would soon fall into the hands of players that would forever alter its musical direction. This edition of the Savannah Music Festival Live is the second of two programs featuring a concert from our 2010 festival that included mandolin virtuosos Mike Marshall, Chris Thile and Caterina Lichtenberg, with special guest Sarah Jarosz.
Airs Thursday, Thursday, November 14 at 8 p.m. When mandolins began evolving from the lute family in Italy during the 17th and 18th centuries, they were designed with a round back or bowl back in what was known as the Neopolitan style. By the end of the 19th century, a new style with a carved top and back construction inspired by the violin family of instruments began to supplant the European-style mandolins, especially within the United States. On this episode, we listen to a wide range of mandolins and compositions going back several centuries, as performed by three of the most unique and distinct mandolinists in our time: Chris Thile, Mike Marshall and Caterina Lichtenberg.
Airs Thursday, July 11 at 8 p.m. Throughout a lifetime of performing and composing, Edgar Meyer has turned the double bass into a modern virtuoso instrument that is equally at home in classical music and in the American vernacular. Mandolin master Mike Marshall has been blending genres in acoustic music for more than 30 years, performing and recording with players in bluegrass, classical, jazz and Brazilian music - so it's no surprise that Marshall and Meyer have developed a fully realized concept of the mandolin/bass duo, presenting a repertoire that spans the globe. Tune in for highlights from their 2012 performance in the Charles H. Morris Center at the 2012 Savannah Music Festival.
Airs Thursday, March 21 at 8 p.m. In music, the term "Americana" generally refers to a subset of American music that is perhaps best defined as "classic" American music, ranging in style from roots-based bluegrass to alternative country, gospel, blues, zydeco, jazz and other native forms. In this episode, we listen to an array of musical Americana selections recorded at the Savannah Music Festival between 2004 and 2008. Performers include Sam Bush, Mike Marshall, Don Stiernberg, the David Grisman Quintet, Jerry Douglas, Bob Seeley, the Bucky Pizzarelli Trio, Daniel Hope, Tony Williamson and Sebastian Knauer.
Airs Thursday, March 14 at 8:00 p.m. Innovators in acoustic music from America and Sweden come together to explore the commonalities between Swedish polskas and Appalachian fiddle tunes. Recorded live at the Charles H. Morris Center during the Savannah Music Festival.
The country of Sweden has a folk music tradition that goes back at least 700 years. Importantly, this tradition still serves as the impetus for songs being created today. One of the most original Swedish groups to emerge in the late 20th century is a trio known as Väsen, whose creative output has shown that Swedish traditional music is still alive and well in our time. During this episode, we listen to Väsen as they combine forces with two of American music's finest improvisational players, Mike Marshall and Darol Anger, in a performance the group gave at the Savannah Music Festival. Each of the five players brings his own personality to the table and the sum of the parts is one that takes instrumental music in new, innovative directions.