Airs saturday, May 11 at 11 a.m. The 2012-13 Metropolitan Opera Radio Broadcast season concludes with a live broadcast of Götterdämmerung, the fourth and final opera in Wagner’s epic Der Ring des Nibelungen. Met Principal Conductor Fabio Luisi leads the performance, which stars soprano Deborah Voigt as Brünnhilde, opposite Swedish tenor Lars Cleveman, who makes his network debut as Siegfried. The cast also includes Karen Cargill as Brünnhilde’s sister, Waltraute; Hans-Peter König as the evil Hagen; Iain Paterson as Gunther, king of the Gibichungs; and Wendy Bryn Harmer as his sister Gutrune. Götterdämmerung will be heard live over the Toll Brothers-Metropolitan Opera International Radio Network at 11 a.m. CT on Saturday, May 11.
Airs Saturday, May 4 at 12 noon. The 2012-13 Metropolitan Opera Radio Broadcast season continues with a live broadcast of Dialogues des Carmélites, Poulenc’s opera about a group of nuns whose faith is tested under the Terror of the French Revolution. Louis Langrée conducts the first Met performance of the opera since 2003, which will feature role debuts by Isabel Leonard as the naïve Blanche de la Force and Patricia Racette as Madame Lidoine, the inspiring new Prioress of a Carmelite convent. Felicity Palmer will reprise her acclaimed portrayal of the ailing old Prioress, Madame de Croissy, and the cast also includes Erin Morley as Sister Constance, Elizabeth Bishop as Mother Marie, and Paul Appleby as Blanche’s brother. Dialogues des Carmélites will be heard live over the Toll Brothers-Metropolitan Opera International Radio Network at 12:00 p.m. CT on Saturday, May 4.
Airs Saturday, April 27 at 12 noon. The 2012-13 Metropolitan Opera Radio Broadcast season continues with a live broadcast of Handel’s Giulio Cesare, starring countertenor David Daniels in the title role and soprano Natalie Dessay as Cleopatra, conducted by Baroque specialist Harry Bicket. David McVicar’s popular staging, originally produced at the Glyndebourne Festival and having its Met premiere this season, incorporates many innovative elements into the story of Caesar and Cleopatra’s romance—including extensive choreography by Andrew George.