Airs Sunday, April 8 at 10:00 a.m. Join the world renowned Mormon Tabernacle Choir for a Celebration with “Hail the Day That Sees Him Rise,” “Our Savior’s Love,” “Jesus, the Very Thought of Thee;” and “Since By Man Came Death” from Messiah. On Songs of Easter we'll hear “Christ the Lord Is Risen Today;” “This Is the Christ,” “Rejoice, the Lord is King;” and “Morning Mood” from Peer Gynt.
Airs Thursday, April 5 at 8:00 p.m. In this episode, we listen to Wynton Marsalis leading the Jazz at Lincoln Center Orchestra at the Lucas Theatre for the Arts. During the mid-1990's, trumpeter and bandleader Wynton Marsalis was leading his septet, one of the most artistically and commercially successful jazz bands of its time. When he became the full-time artistic director of Jazz at Lincoln Center in 1995, he essentially folded his septet into the resident orchestra, allowing him the artistic palate with which to paint the entire range and history of jazz while still offering up new and original work. In this episode, we listen to Wynton Marsalis lead the Jazz at Lincoln Center Orchestra through this 2009 recording.
Airs Friday, April 6 at 12:00 noon George Frideric Handel’s Messiah will be conducted by Jane Glover. The soloists include Elizabeth Futral, soprano; Jennifer Rivera, mezzo-soprano; John McVeigh, tenor and Christopheren Nomura, baritone.
Airs Friday, April 6 at 9:00 p.m. A documentary exploring why we sing music at church and what it does for individuals and communities. Church music is one of the few pure forms of human expression. Just a person, their voice, and the belief that compassion is self-fulfilling and will birth more compassion. Here in a one-hour special we explore the many kinds of church music in America. The culture and the people behind the voices. Who sings and why, and what those songs say about our country. This documentary takes equally from several Christian denominations and is prefect for air around Easter, Christmas, or on any given Sunday.
Airs Tuesday, April 3 at 9:00 p.m. Randy Weston has long nurtured a pan-African outlook in his life and music, having spent years living in Morocco and studying traditions from throughout the continent. And when you're 85, as he is, "long" means from the bebop era to the present day. He remains a distinctive and imposing piano stylist, and his African Rhythms Trio closes the Quad stage on the first day of the 2011 Newport Jazz Festival.