Airs Thursday, May 21, at 11 a.m. Join us for Carnegie Hall Live featuring the Berliner Philharmoniker with guest violinist Anne-Sophie Mutter as they perform the Violin Concerto No. 1 in G Minor, Op. 26 by Max Bruch along with the Symphonic Dances of Rachmaninoff and Stravinsky's Closing Scenes from The Firebird. Sir Simon Rattle conducts and Deborah Voight will be the guest host.
Airs Monday, April 20, at 11 a.m. A new season of concerts from the San Francisco Symphony begins this week when Semyon Bychkov takes the podium and is joined by violinist Pinchas Zukerman for Bruch Violin Concerto No. 1 in G Minor, Op. 26. The concert will open with Wagner Overture to Tannhäuser (the Dresden version), and we'll hear Tchaikovsky's Symphony No. 5 in E Minor, Op. 64 plus as an encore Kissine's Post-scriptum (with Michael Tilson Thomas conducting. Join us for a new season of concert by the San Francisco Symphony each Monday at 11 a.m. on Red River Radio.
Airs Monday, October 27 at 11 a.m. This week on the Pittsburgh Symphony Radio broadcast, Concertmaster Noah Bendix Balgley performs the Bruch Scottish Fantasy. Plus, Nikolaj Znaider conducts Schumann’s Symphony No. 4 and the Hebrides Overture by Mendelssohn. Jim Cunningham will host this Pittsburgh Symphony Radio broadcast.
Kermit Poling talks with music director Michael Butterman and violinist Vadim Gluzman about the Shreveport Symphony’s 2012-13 season opening concert. The concert features Mr. Gluzman in the Bruch Violin Concerto No. 1 in G minorn. The concert opens with the Academic Festival Overture of Brahms and concludes with the Dvorak Symphony No. 8, a work filled with beautiful folk melodies and charm. More information at Shreveport Symphony.
Airs Saturday, August 4 at 12:00 noon. Red River Radio is pleased to bring back the Cleveland Orchestra for another superb season of broadcast concerts from the orchestra's home at Severance Hall in Cleveland and from concerts performed around the country and the world. On this week's concert Alan Gilbert lead the orchestra in Beethoven's Romance No. 2, Op. 50; Webern's Im Sommerwind; Bruch's Adagio appassionata, Op.. 57; and Schoenberg's Pelleas and Melisande.