Composer Max Richter has done a brave thing for any artist in any medium: He's messed with a classic, specifically, Vivaldi's four violin concertos known as The Four Seasons. He has a new album simply titled Recomposed by Max Richter: Vivaldi, The Four Seasons.
Richter says that as a child, he loved The Four Seasons. But as he grew older, that passion faded.
When his teenage son ventured into social media, Virginia father Mike Robinson wanted to make sure he could keep tabs on him. Robinson works in IT, so he rigged a surveillance system that works no matter what kind of device either of them is on.
"It's sort of like a version of remote desktop that enables you to run the program kind of silently in the background," Robinson says.
One day, checking in from his iPhone, Robinson discovered that his son had come across an adult meet-up site on Facebook.
The story of Lance Armstrong's alleged doping is, in part, the story of an astonishing business enterprise — an enterprise that drove what the U.S. anti-doping agency called "the most sophisticated, professionalized and successful doping program" cycling has ever seen.
The story of that enterprise starts in 1998, when the Festina cycling team was caught at the Tour de France with a car full of banned drugs. According to author Daniel Coyle, this marked a huge shift in the culture of doping in cycling.
Three years ago, a report from the National Academy of Sciences exposed serious problems in the nation's forensic science community. It found not only a lack of peer-reviewed science in the field, but also insufficient oversight in crime laboratories.
Little has changed since that report came out, but concerns are growing as scandals keep surfacing at crime labs across the country.