When movie director Baz Lurhmann got his hands on F. Scott Fitzgerald's The Great Gatsby, a 21st century-Jazz Age mashup was inevitable. Vivid, anachronistic style is standard in Luhrmann's films: His take on Romeo + Juliet was a Technicolor fever dream for the MTV generation, and Moulin Rouge put Verdi's La Traviata through a genre blender.
Allison Amend is out with her third book. It's a novel called "A Nearly Perfect Copy." It features richly detailed characters, including an art dealer gone bad, and it's set in both Paris and New York. Our review Alan Cheuse found it all quite delectable.
From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.
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And I'm Robert Siegel. At congressional hearings this week, three witnesses introduced as State Department whistleblowers criticized the administration's handling of last September's assault on the U.S. mission in Benghazi, Libya. That attack claimed the life of United States Ambassador Chris Stevens and three other Americans.
Sarah Polley grew up the fifth of five children in a Canadian theatrical family. Her father, Michael, is a transplanted British actor; her mother, Diane, was an actress and casting director. No wonder Sarah feels her family's narrative has the stuff of drama.
"I'm interested in the way we tell stories about our lives," she says in the film, "about the fact that the truth about the past is often ephemeral and difficult to pin down."