In the 1940s and '50s, Tadd Dameron worked with everyone who was anyone in jazz, from Miles Davis to Artie Shaw, Count Basie to John Coltrane. Everything Dameron touched had one thing in common, says Paul Combs, author of Dameronia: The Life and Work of Tadd Dameron.
"A penchant for lyricism," Combs says. "Almost everything that he writes has a very lyrical grace to it."
We live knowing that everything dies. Like the sun, it's a fact of life. And like the sun, we tend not to look right at it. Unless you've experienced a recent death, it's probably not something you discuss. But a new movement is trying to change that, with a serving of tea and cake.
The fear of death haunts us like nothing else. And it makes sense. All other fears — such as public speaking, centipedes and heights — pale in comparison. So we don't really talk about it.