Kevin Whitehead

Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross.

Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.

He is the author of Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).

His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.

Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.

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1:52pm

Thu August 2, 2012
Music Reviews

Digging Up The 'Newly Discovered Works Of Gil Evans'

Originally published on Thu August 2, 2012 8:47 pm

Ryan Truesdell has turned unheard Gil Evans scores into richly textured works on Centennial: Newly Discovered Works of Gil Evans.
Dina Regine

Gil Evans, born a century ago this year, was a leading jazz arranger and composer starting in the 1940s, when he wrote for big bands. He helped organize Miles Davis' Birth of the Cool sessions, then arranged Davis' celebrated orchestra albums like Sketches of Spain. Evans, who had his own big bands that went electric in the 1970s and '80s, died in 1991, but some of his rare music has been newly recorded.

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10:55am

Fri July 20, 2012
Music Reviews

Jesse Davis: Live From New York's Other Basement Club

Originally published on Fri July 20, 2012 3:26 pm

Saxophonist Jesse Davis performs at Smalls Jazz Club in New York.
Michelle Watt Courtesy of the artist

Many jazz musicians, the kind who wear jackets and ties on stage, are often carelessly referred to as playing bebop. In reality most of them are post-boppers, who build on that dynamic style that burst forth after World War II, without bringing it back in pure form. It's the rare modernist who gets an authentic bebop sound on alto saxophone, who catches some of the raw explosiveness and rapid-fire grace of jazz god Charlie Parker. And then there's Jesse Davis.

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11:49am

Tue July 17, 2012
Music Reviews

Ravi Coltrane: A Noble Sound, Witness To Its Heritage

Originally published on Wed July 18, 2012 9:54 am

Ravi Coltrane's new album is called Spirit Fiction.
Deborah Feingold Courtesy of the artist

The jazz musician Ravi Coltrane, 47, didn't make his burden any lighter by choosing to play tenor and soprano saxophones — the same instruments his father, John Coltrane, indelibly stamped with his influence.

Ravi knew early he needed his own voice. On tenor, he has his own ways of bending and inflecting a note, applying flexible vibrato. Even when his noble sound bears witness to his heritage, Ravi Coltrane can draw on his father's language and make it his own.

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11:50am

Thu July 5, 2012
Music Reviews

Linda Oh: Connecting Points On A Musical Map

Originally published on Mon July 9, 2012 11:01 am

Linda Oh
Vincent Soyez courtesy of the artist

In a good jazz rhythm section, the players function independently and as one. Their parts and accents crisscross and reinforce each other, interlocking like West African drummers. Beyond that, the bass is a band's ground floor. When it changes up, the earth shifts under all the players' feet. From moment to moment, Linda Oh's bass prowls or gallops, takes giant downward leaps, or stands its ground.

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11:17am

Tue June 19, 2012
Music Reviews

Ray Anderson: A Pocket-Size Suite Makes A Huge Racket

Originally published on Tue June 19, 2012 2:47 pm

It's tricky making a little band sound big on Sweet Chicago Suite, but trombonist Ray Anderson knows his tricks.
Jeanne Moutoussamy Ashe

Ray Anderson's Pocket Brass Band is about watch-pocket size: With three horns and drums, it couldn't get much smaller. On its new Sweet Chicago Suite, Anderson makes what the group does sound easy. Just write some catchy, bluesy tunes and then have the band blast them out.

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