Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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11:34am

Tue September 24, 2013
Music Reviews

Lucy Schwartz Is In Love With Her Own Voice, And That's OK

Originally published on Tue September 24, 2013 2:16 pm

Lucy Schwartz.
Tierney Gearon Courtesy of the artist

The first thing you notice about Lucy Schwartz's Timekeeper is the singer's voice — both her physical voice, which is at once ringing and adroit, and her writer's voice, which is precise yet elusive. When Schwartz sings "Ghost in My House," the production renders her tone in an echoing manner that signifies spookiness. It also suggests a metaphor — memory as a ghost, the haunting of someone who's no longer in her life. In general, Lucy Schwartz is in love with the sound of her own voice, and for once that phrase is not meant as a criticism; I think she has good reason to be.

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10:16am

Thu September 19, 2013
Music Reviews

Robbie Fulks: Exhilarating And Bitter On 'Gone Away Backward'

Originally published on Thu September 19, 2013 1:06 pm

Robbie Fulks' new album is titled Gone Away Backward.
Courtesy of the artist

Robbie Fulks has been recording since the mid-'90s, making music that's difficult to categorize. He's written country songs about how compromised most country music is, and while he's fond of folk and bluegrass, he pleases concert audiences with covers of hits by Michael Jackson and Cher. Fulks' new album, Gone Away Backward, is one of his most sustained and subtle efforts.

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1:00pm

Tue September 10, 2013
Music Reviews

Bob Dylan's 'Self Portrait,' Now In Vivid Color

Originally published on Tue September 10, 2013 1:36 pm

Bob Dylan in 1970, the year he released his 10th studio album, Self Portrait.
John Cohen Courtesy of the artist

In the late 1960s, it wasn't just that Bob Dylan's music was eagerly anticipated — it was music that millions of people pored over: for pleasure, for confirmation of their own ideas, and for clues as to the state of mind of its creator. In this context, the double-album Self-Portrait arrived in 1970 with a resounding, moist flop. I don't mean it was a commercial flop; it sold well.

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12:46pm

Thu September 5, 2013
Music Reviews

On Its New Album, Superchunk Makes The Downtrodden Sound Upbeat

Originally published on Fri September 6, 2013 12:53 pm

Superchunk's new album is titled I Hate Music.
Jason Arthurs Courtesy of the artist

"I hate music, what is it worth? / Can't bring anyone back to this earth," the band Superchunk sings. It's the kind of sentiment you'd imagine someone blurting out with bitter spontaneity, but it's not really music the band hates; it's the despair and grief to which their music bears witness. Superchunk's new downbeat-but-upbeat album, I Hate Music, is dedicated to a close friend who died last year.

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9:49am

Thu August 22, 2013
Music Reviews

Robin Thicke: Smirky But Sincere On 'Blurred Lines'

Originally published on Thu August 22, 2013 12:57 pm

Robin Thicke on the cover of Blurred Lines.
Courtesy of the artist

Robin Thicke exudes a kind of oily charm that is, with the right material, by no means off-putting. A prime example is the single "Blurred Lines," which gives you the complete Robin Thicke Experience. The song is a come-on, because basically all Thicke does in his music is try to put the make on women. What prevents him from being too creepy is that he's also genial, even gentlemanly and debonair, when the object of his lust shoots him down.

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