Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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12:31pm

Tue March 11, 2014
Music Reviews

Angel Olsen: A Voice Of Confounding Power

Angel Olsen.
Zia Anger Courtesy of the artist

Angel Olsen begins the song "Hi-Five" by paraphrasing Hank Williams, admitting she's so lonesome she could cry. She goes on to say she just wants someone who believes in love as urgently as she does. The twanging guitar throbbing beneath these sentiments suggests that it's going to be a long, lonely search. Over a matter of minutes, Olsen has created the landscape she'll inhabit for an entire album.

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1:18pm

Thu March 6, 2014
Music Reviews

Pharrell Williams: Just Exhilaratingly Happy

Originally published on Thu March 6, 2014 3:03 pm

Pharrell, sporting more conventional headwear.
Mimi Valdés Courtesy of the artist

Pharrell Williams, who frequently goes by just his first name, is the sort of pop star whom many people would like to view as a friend. Emerging from hip-hop, he makes charming recordings that suggest a deep appreciation of pop, soul and R&B music extending at least as far back as the 1960s. To hear Pharrell on his new album G I R L, you'd think his world consisted of grooving on catchy beats and flirting with women. It's a lightweight image that draws gravitas from his prolific work ethic and a shrewd deployment of those influences.

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12:04pm

Mon March 3, 2014
Music Reviews

Chuck Mead: Gleefully Sinister Country Serenades

Originally published on Mon March 3, 2014 1:25 pm

Chuck Mead.
Courtesy of the artist

In "Reno County Girl," Chuck Mead serenades us with a tale about a young woman with whom his narrator fell in love. It's a loping country song, Mead's version of cowboy music, but as its pretty melody unfurls, you realize that its scenario is bleak: Mead's character urged her to leave home despite the objections of her father, and it turns out Daddy was right — this guy leaves her all by her lonesome much of the time.

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1:15pm

Mon February 24, 2014
Music Reviews

Vertical Scratchers: Slashed Chords, Fractured Poetry

Vertical Scratchers.
Joseph Amario Courtesy of the artist

The members of Vertical Scratchers don't have to pretend: They are free spirits, making music that is at once tightly composed, whimsical and anarchic.

The vocals on a Vertical Scratchers song tend to be high-pitched and yearning. John Schmersal creates harmonies from his vocal tracks that have a keening romanticism. His guitar lines are a series of slashed chords — vertical scratching, and thus the band's name. At the same time, there's a compressed intensity to the tunes, which uncoil with a snap, again and again.

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3:13pm

Wed February 12, 2014
Music Reviews

Lake Street Dive: 'Portraits' Of Heartache

Originally published on Wed March 19, 2014 9:21 am

Lake Street Dive.
Jarrod McCabe Courtesy of the artist

Lake Street Dive is powered by the voice of Rachael Price; it's what hits you first when you listen to this quartet. It's a ringingly clear, strong voice, a sound that's at once beseeching and in control. Price regularly harmonizes with the other members of Lake Street Dive — bassist Bridget Kearney, drummer Mike Calabrese and Mike Olson, who also plays guitar and trumpet. But most of the songs on Bad Self Portraits are showcases for Price's surging vocals.

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