David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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11:18am

Fri December 20, 2013
Movie Reviews

A Man And His Machine, Finding Out What Love Is

Originally published on Fri December 20, 2013 2:24 pm

In the sci-fi romance Her, a lonely man (Joaquin Phoenix) finds love in a rather unexpected place — with a computer operating system named Samantha.
Warner Bros.

Her is the best film of the year by a so-wide margin. It's gorgeous, funny, deep — and I can hear some smart aleck say, "If you love it so much, why don't you marry it?" Let me tell you, I'd like to!

I certainly identify with the protagonist, Theodore Twombly, who falls in love with his computer operating system, his OS, which calls itself — sorry, I gotta say "who calls herself" — Samantha, and who sounds like a breathy young woman.

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11:34am

Fri December 13, 2013
Movie Reviews

A 'Hustle' With Flow (And Plenty Of Flair)

Originally published on Fri December 13, 2013 1:46 pm

A '70s con-artist couple (Christian Bale and Amy Adams) are forced to team up with an FBI agent (Bradley Cooper, right) in American Hustle, inspired by a real-life sting targeting corrupt politicians.
Francois Duhamel Columbia Pictures

David O. Russell hovers at the top of my list of favorite directors. He captures the messy collision of self-interests that for him defines America. In American Hustle, he whips up a black comedy based on Abscam, the late-'70s FBI sting that centered on a bogus sheik and led to the bribery convictions of sundry U.S. politicians. But he doesn't tell the real Abscam story; he adapts it to fit his theme, which is that most of us are busy reinventing ourselves and conning one another.

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12:34pm

Fri December 6, 2013
Movie Reviews

Great Soundtrack Aside, 'Inside Llewyn Davis' Hits A Sour Note

Originally published on Fri December 6, 2013 2:05 pm

In the Coen brothers' latest film, down and out Llewyn Davis (Oscar Isaac) is trying to make ends meet as a folk singer in New York in the early 1960s.
Alison Rosa Long Strange Trip/CBS Films

The films of Joel and Ethan Coen pose a challenge: How do we reconcile their wildly disparate tones? Consider O Brother, Where Art Thou?, a burlesque of Homer's Odyssey centering on three stumblebums — but with a soundtrack assembled by T Bone Burnett of heartfelt historical gospel and country music. Ditto The Ladykillers: venal idiot characters, soaring African-American spirituals. The ridiculous and the sublime sit side by side, with no spillover.

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6:03am

Fri November 29, 2013
Movie Reviews

A Korean Cult Thriller Gets A Spike Lee Makeover

Originally published on Mon December 2, 2013 9:04 am

After 20 years in captivity, Joe (Josh Brolin) is released into the world with a hammer and an appetite for revenge in Oldboy, a Spike Lee remake of the 2003 South Korean film.
Hilary Bronwyn Gayle FilmDistrict

Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire — and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.

And as it happens, he can — a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.

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1:57pm

Fri November 15, 2013
Movie Reviews

Across 'Nebraska,' On A Journey That Goes Beyond The Trip

Originally published on Fri November 15, 2013 4:47 pm

David (Will Forte, left) and his father, Woody (Bruce Dern, center), take time out of their quixotic journey to stop in Woody's small Nebraska hometown — where Woody's old business partner, Ed (Stacy Keach), is still nursing a grudge.
Merie W. Wallace Paramount Pictures

Last month, I saw the trailer for Alexander Payne's Nebraska, and only the fact that it was a Payne film made me want to see it.

The premise seemed a dead end: Bruce Dern plays an elderly man named Woody Grant living in Billings, Mont., who gets a letter saying he's won $1 million. All he needs to do is call a number and maybe buy a magazine subscription.

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