David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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9:24am

Fri February 1, 2013
Movie Reviews

'Gatekeepers' Let Us Inside Israeli Security

The documentary The Gatekeepers examines Israeli security policy in interviews with six former heads of the secretive Shin Bet agency.
Sony Pictures Classics

The Oscar-nominated documentary The Gatekeepers centers on Israel's occupation of the West Bank and Gaza Strip, but from an unusual vantage — not the Palestinians or Israelis on the ground, but six men at the pinnacle of the country's security apparatus: the former heads of the security agency Shin Bet.

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10:51am

Fri January 18, 2013
Movies

'Mama': A Good Old-Fashioned Horror Movie

Originally published on Tue January 22, 2013 12:29 pm

Victoria (Megan Charpentier) and her sister, Lilly (Isabelle Nelisse), are near-feral orphans in the horror thriller Mama.
Universal Pictures

I was weaned on horror movies and love them inordinately, but the genre has gone to the dogs — and to the muscle-bound werewolves, hormonal vampires, flesh-eating zombies, machete-wielding psychos, etc. It's also depressing how most modern horror pictures have unhappy nihilist endings in which everyone dies and the demons pop back up, unvanquished — partly because studios think happy endings are too soft, but mostly because they need their monsters for so-called franchises.

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11:28am

Fri November 23, 2012
Movie Reviews

A Boy, A Boat, A Tiger: Reflecting On 'Life Of Pi'

Originally published on Fri November 23, 2012 12:54 pm

Pi Patel (Suraj Sharma) begins a journey of personal growth and spiritual discovery after being lost at sea.
20th Century Fox

Director Ang Lee has a surprising affinity for the Indian hero of Life of Pi — that's his name, Pi, and he's seen at several ages but principally as a 17-year-old boy adrift on a lifeboat in the South Pacific. He's the lone survivor of a shipwreck that killed the crew, his family and a variety of zoo animals his father was transporting to North America for sale.

Actually, Pi is the lone human survivor. He shares his boat and its dwindling food supplies with a man-eating Bengal tiger.

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11:33am

Fri November 16, 2012
Movie Reviews

In 'Silver Linings Playbook,' Lawrence Is Golden

Originally published on Fri November 16, 2012 2:14 pm

Jacki Weaver and Chris Tucker also help round out a team of actors who score a touchdown with the critics.
The Weinstein Co.

The best thing about David O. Russell is that he cultivates his disequilibrium. In Silver Linings Playbook, his hero is disturbed and his heroine possibly more so, and his other characters have a grip on reality that is only marginally more secure. Russell might have made them seem the dreaded "q" word — quirky — and OK, he does, a bit, at the end, which broadly conforms to the rom-com template. But until then, Bradley Cooper's Pat Solatano is someone you'd be less likely to dream about than get a restraining order against.

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10:53am

Fri November 9, 2012
Movie Reviews

Historical, Fictional Icons Take To The Big Screen

Originally published on Fri November 9, 2012 12:52 pm

Daniel Craig stars as the quintessential MI6 agent, James Bond, in Skyfall. The Bond franchise is 50 years old this year.
Francois Duhamel Sony Pictures

Two icons, Abraham Lincoln and James Bond, make triumphant appearances this week in movies with more in common than you'd expect. True, Lincoln is a titan of history, liberator of slaves, and as such an adversary of Western colonialism, while 007 is an outlandish stereotype embodying white male Western authoritarian power. But the makers of these films do a sterling job of testing their respective subjects in front of our eyes — before pronouncing them fit to carry on in our collective imagination.

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