Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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3:39pm

Thu June 6, 2013
Monkey See

When 'G' Movies Are For Kids, Do Kids Avoid 'G' Movies?

Originally published on Mon June 10, 2013 4:38 pm

The 1939 film The Wizard Of Oz was rated G. The 2013 film Oz the Great and Powerful was rated PG. The difference? Maybe a little violence and a womanizing leading man.
AP/Walt Disney Pictures

If you're a parent with small children, summer is traditionally a time when there's lots for them to see at the multiplex. That's not untrue this summer. But if you're specifically looking for a film with a G rating, you may just be out of luck.

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4:04pm

Fri May 31, 2013
Movie Reviews

Movie Reviews: What 'After Earth' And 'Kings' Have In Common

Originally published on Fri May 31, 2013 8:23 pm

Transcript

ROBERT SIEGEL, HOST:

From NPR News, this is ALL THINGS CONSIDERED. I'm Robert Siegel.

MELISSA BLOCK, HOST:

And I'm Melissa Block. Two movies open today that at first glance have little in common, the science fiction blockbuster "After Earth" and the suburban indie comedy "Kings of Summer." Leave it to our critic Bob Mondello to find similarities.

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9:15am

Tue May 28, 2013
Monkey See

Summer Movie Preview: Kids, Theft, The Apocalypse, And Joss Whedon

Alexis Denisof and Amy Acker in Joss Whedon's Much Ado About Nothing.
Elsa Guillet-Chapuis Roadside Attractions

Trending, trending. M Night Shyamalan sees dead people. I see trends.

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3:49pm

Fri May 24, 2013
Movie Reviews

More Time Together, Though 'Midnight' Looms

Originally published on Sat May 25, 2013 4:39 pm

Still Talking: After 18 years, Jesse (Ethan Hawke) and Celine (Julie Delpy) apparently have plenty left to hash out.
Despina Spyrou Sony Pictures Classics

Celine and Jesse are sporting a few physical wrinkles — and working through some unsettling relational ones — in Before Midnight, but that just makes this third installment of their once-dewy romance gratifyingly dissonant.

It's been 18 years since they talked through the night that first time, Julie Delpy's Celine enchanting and occasionally prickly, Ethan Hawke's Jesse determined to charm; their chatter then, as now, scripted but loose enough to feel improvised as captured in long, long takes by Richard Linklater's cameras.

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5:14pm

Sat May 18, 2013
Movie Reviews

New 'Trek' Goes 'Into Darkness,' But Not Much Deeper

Originally published on Sat May 18, 2013 6:47 pm

Zachary Quinto as Spock, with Chris Pine as Kirk, in Star Trek: Into Darkness.
Zade Rosenthal Courtesy Paramount Pictures

The opening sequence of J.J. Abram's new entry in the Star Trek universe has all the ingredients of the classic franchise.

There's Kirk and his crew bellowing on the bridge, everyone worrying about the prime directive and our favorite Vulcan trapped in a volcano.

OK, I'm in. I may not be a fanboy anymore, but I sure was in my youth, and having these guys in their youths again is just as cool at the outset as it was last time.

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