Who or what caused a takedown of computer systems at banks and broadcasters in South Korea on Wednesday is still a matter of speculation, but suspicion immediately and unsurprisingly fell on Seoul's archenemy to the north.
If true, it wouldn't be the first time that North Korea, often regarded as technologically backward, has successfully wielded the computer as weapon.
As the Affordable Care Act nears its third birthday this Saturday, a poll finds the public actually knows less about the law now than when it passed in 2010. Oh, and a lot of what people think they know just isn't so.
"I know of young women who have been returned to their families by their husbands because, as you say, they did not bleed on defloweration," Shereen El Feki tells Fresh Air's Terry Gross.
El Feki, the author of the new book Sex and the Citadel: Intimate Life in a Changing Arab World, spent five years traveling across the Arab region asking people about sex: what they do, what they don't, what they think and why.
This is TELL ME MORE, from NPR news. I'm Michel Martin. Today, we are going to spend some time across North Africa and the Middle East. It's the first day of spring, and that means it's the Persian New Year. We are going to celebrate Nowruz later in the program, with a comedian who's putting a new spin on the holiday. That's in just a few minutes.
A lot of photographers are revisiting 2003 this week — the year the U.S. invaded Iraq — and sharing photos from the years of war that followed. Even more literally, Associated Press photographer Maya Alleruzzo revisited various sites photographed during the war to see what has changed and what hasn't.
One scene speaks volumes: Today, shoppers pass through a busy shopping district in Baghdad. But in the 2008 photo, taken by Hadi Mizban for AP, the sidewalk is covered in fresh stains from a bombing that killed 22 people.
The release last year of a 2007 reunion by the late Sam Rivers' trio confirmed what a creative drummer Altschul is. He has been one for decades. Altschul was a key player on the 1970s jazz scene, when the avant-garde got its groove on. Now, as then, he's great at mixing opposites: funky drive with a spray of dainty coloristic percussion, abstract melodic concepts with parade beats, open improvising and percolating swing. He's a busy player, but never too loud — he's also busy listening.